Mar. 22nd, 2025 04:29 pm
The Ballad of Songbirds and Snakes
Book 03/2025: Suzanne Collins, The Ballad of Songbirds and Snakes
So I started reading this prequel of the Hunger Games trilogy right after finishing the legends of Prague. Sarah Andersen's book was more of an interlude. So no, I didn't finish this one in a little more than a month.
This is the story of Coriolanus Snow, known as the President of Panem and main antagonist of the original trilogy. Here, he is an 18-year old aspiring student at the Academy, trying to hide the fact that his family is basically poor now, ten years after the war. Along with 23 other students, he partcipates in the new mentor programm of the Hunger Games, with each tribute being assigned a mentor the Capitol. And he gets appointed to the one with the least chance of winning: the female tribute of District 12.
Obviously, there are several references to the original. It's the same world, after all. And this story is also about the Games themselves. In the original trilogy, they are mandatory to watch, the tributes get treated like royalty before the actual games, they can get supplies from supporters during the games, and the victors get to live in a special neighbourhood and become mentors for the next tributes. Here, they are treated worse than cattle - they arrive in freight cars and are dumped into a cage at the zoo. They are not supposed to be fed before or even during the games. The arena is less technically advanced and looks more like a run-down Olympic Games stadium. And so on.
So this book basically shows the evolution of both the games and Snow. We are inside his head all the time, though Collins doesn't use first-person narration here as she did with Katniss. It's third-person limited and written in simple past, whereas the trilogy was written in simple present. Which fits - it's the prequel, after all.
Personally, I'm usually trying to stay away from stories where the villain becomes the protagonist. Too often, it is meant to redeem them or maybe even "woobify" them (Aww, it's not his fault, he had a bad childhood!). Here, some of this is present - of course he wasn't always evil, and yes, he did receive some unfair treatment through others. But his inner asshole is allowed to shine through from the beginning until it becomes his outer self over the course of the narration. I can appreciate that.
Next up, a German book again for bedtime. But I'll also read a Shakespearean play soon for school, and I've started reading another book for commuting.
So I started reading this prequel of the Hunger Games trilogy right after finishing the legends of Prague. Sarah Andersen's book was more of an interlude. So no, I didn't finish this one in a little more than a month.
This is the story of Coriolanus Snow, known as the President of Panem and main antagonist of the original trilogy. Here, he is an 18-year old aspiring student at the Academy, trying to hide the fact that his family is basically poor now, ten years after the war. Along with 23 other students, he partcipates in the new mentor programm of the Hunger Games, with each tribute being assigned a mentor the Capitol. And he gets appointed to the one with the least chance of winning: the female tribute of District 12.
Obviously, there are several references to the original. It's the same world, after all. And this story is also about the Games themselves. In the original trilogy, they are mandatory to watch, the tributes get treated like royalty before the actual games, they can get supplies from supporters during the games, and the victors get to live in a special neighbourhood and become mentors for the next tributes. Here, they are treated worse than cattle - they arrive in freight cars and are dumped into a cage at the zoo. They are not supposed to be fed before or even during the games. The arena is less technically advanced and looks more like a run-down Olympic Games stadium. And so on.
So this book basically shows the evolution of both the games and Snow. We are inside his head all the time, though Collins doesn't use first-person narration here as she did with Katniss. It's third-person limited and written in simple past, whereas the trilogy was written in simple present. Which fits - it's the prequel, after all.
Personally, I'm usually trying to stay away from stories where the villain becomes the protagonist. Too often, it is meant to redeem them or maybe even "woobify" them (Aww, it's not his fault, he had a bad childhood!). Here, some of this is present - of course he wasn't always evil, and yes, he did receive some unfair treatment through others. But his inner asshole is allowed to shine through from the beginning until it becomes his outer self over the course of the narration. I can appreciate that.
Next up, a German book again for bedtime. But I'll also read a Shakespearean play soon for school, and I've started reading another book for commuting.
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